https://www.kiakimamuseum.org/files/original/5304ca28cdbd2a80fd5ff97bab604858.pdf 4249cdc40095db5af93ef9d70261c560 PDF Text Text �0 .· W FOREWORD 'ft E are all 'participants in this pageant Qf Indian life; together we around the cam pf ire, transported . backward through time to a peri~ 400 years ago when the Indian held sway in America. Together we p~r~· tic'ipate irt the ent~rtainment. and ceremony of an Indian villiage of long ago, ea~h one a part of this Indian pictute., Ea€h one here is expected to live an hour or t'Yo of Indian life, feel the throb of romance, appreciate the b-:e- auty, perhaps feer a thread of fear ewer present in the lives of these people. Those responsible for thi.s pageant and those taking part hope you will enjoy a new experience, find a new pleasure and be refreshed. PROGRAM ~- · The Gathering of .the Tribe and the Council Pipe Ceremony Every council opens with a pipe ceremony. This is an invocation to the ::.w:c....rgtc, gutdam. c:: an<! wlsaom. Tfie,...:..·---:1'1 Chief calls upon Manitou, the Four Winds of the Earth, the Drum, which . represents the Church, the Sun, Moon and Stars to witness that he is humble in the sight of Manitou, and wishes to be guided by the teachings of the Great Spirit. ----~,.~·- G!'.~.t ~it _ er-hdp,.=-f~g~cileS~, Friendship Dance _-------------------------------------------________________________________All Participants This dance, interpreting the bonds of eternal frie.ndship, marks the opening of all tribal gatherings when the entire tribe assembles for council. 2. "Pale Moon"----------------------------· _________________________________________________________________ Alma Perry 3. The Chieftain's Dance _______________________ _______________________________________Memphis Boy Scouts Visiting chiefs approach the villiage. They give the sign of friendship. The old chief doubts their sincerety; they offer a Peacq Pipe; it is not accepted. The dance starts with many advances and retreats, offers of peace and friendship; threats of injury and death. The Peace Pipe is finally accepted; they sit around and smoke. After the pipes have been passed, the host invites his guests to his wigwam, where food is offered. <==><><==><><==><><==><><==><><==><><==><><===><><==><><=><><=><><=><><=><><=><>~ �_O 4. Youth's Dance __________________________________________________________________________Memphis Boy Scouts The dance shows methods of training the young Indian to play and to dance rhythmically. 5. Warrior's Dance______________________________________________________________________________________ Boy Scouts This dance tells the life story of the Indian warrior. The warrior's regalia denotes his social rating; his bonnet is his badge of accomplishments in battle. His dance tells of his deeds of bravery and success in killing game; it also confesses his weakness and failure. 6. "The Indian Love Call (from "Rose Marie") ___ Alma Perry and Walter Jenkins 7. Maiden's Dance _____________________________________________________________________Memphis Girl Scouts The Indian maid dances her way to the heart of the warrior. This dance of rhythmic beauty is also a test of strength and endurance in which no weakling may hope to succeed. 8. 0 jibway Pipe Dance___________________________________________________________________________ _Hotan-Tonka On the reservation and in old Indian days this dance is a contest following a challenge.. The challenge must be accepted or the challenged dancer forfeits his pipe with his title. They dance until one falls from exhaustion. 9. "From the Land of the Sky Blue Water" ________________________________________Walter Jenkins 10. Blanket Dance ____________ ____________________________________ Elizabeth Moore and Hotan-Tonka The young warrior offers his future bride a wedding gown, approaching her wigwam singing, but fearful of his reception. She accepts the gown, adorns herself, and they move to the council circle to receive the approval of the chief. This is a dance of coquetry and pursuit, ending with victory for the young warrior, who carries her to their wigwam amid the good wishes of the council. Captive Maid __________________________ ____________________________________________ Sarah Elizabeth Gemmill 11. Tea Dance (Duet) ________________________________________ Bertha Kuhlman and Hotan-Tonka The only dance in which men and women of the Ojibways dance as partners after the fashion of the white man. It is also known as the Go-ho-mi-ny or Good-Night Dance. Followed by all participants in pageant dancing back to the wigwams. <==:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()<::;;;;:::::><><==><><==>-<><==>-<><==>-<><==>-<><==>-<><::::::> �Sponsored by MR. EDWARD M. SALOMON, PRESIDENT OF THE NEW BRY'S Music ___ --------------------------------.-- -----------------------------------__ ------------------------Mrs. Mark Eldridge Publicity------------------------------------------------------------- ________________________________ Leadqs Association Make UP------------------------------------------------------------------------------------------ ~ ~~~·;{t: ~~~t~er Properties __________________________________________________________________________________________ Mr. Gordon Morris Costumes and Make Up-------------------------------------------------------- 1~ MMissMMar_gllreSt Vhuille r. erri c wartz Warriors ___________________________________________________________________________________________ Memphis Boy Scouts Youths _________________________ ----------------------------------------------_______________________Memphis Boy Scouts Maidens ___________________________________________________________________________________ _________ Memphis Gir 1 Scouts Special Music__ ____··------------------------------- --------------------------------------· ___________ Rotary Boys' Band Pianist for Special Numbers __________________________________________________________ Mr. Herbert Rohloff c;::;::::>C><::::::>C><::::::>C><::::::>C><::::::>C><::::::>C><::::::><><==:::><><:=>C)<:=>C)<:=>C><==:><><:=><><:::::>o<><=> � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chickasaw Council Publications and Papers Description An account of the resource Contains miscellaneous publications and papers by and about the Chickasaw Council. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document 0 FOREWORD W.· E are all 'participants in this pageant Qf Indian life; together we 'ft around the cam pf ire, transported . backward through time to a peri~ 400 years ago when the Indian held sway in America. Together we p~r~· tic'ipate irt the ent~rtainment. and ceremony of an Indian villiage of long ago, ea~h one a part of this Indian pictute., Ea€h one here is expected to live an hour or t'Yo of Indian life, feel the throb of romance, appreciate the b-:-eauty, perhaps feer a thread of fear ewer present in the lives of these people. Those responsible for thi.s pageant and those taking part hope you will enjoy a new experience, find a new pleasure and be refreshed. PROGRAM ~- · The Gathering of .the Tribe and the Council Pipe Ceremony Every council opens with a pipe ceremony. This is an invocation to the ----~,.~·- G!'.~.t ~it _ er-hdp,.=-f~g~cileS~, ::.w:c. .. .rgtc, gutdam .. c:: an<! wlsaom. Tfie,...:..·---:1'1 Chief calls upon Manitou, the Four Winds of the Earth, the Drum, which .. represents the Church, the Sun, Moon and Stars to witness that he is humble in the sight of Manitou, and wishes to be guided by the teachings of the Great Spirit. Friendship Dance _ -------------------------------- ------ -- --- ________________________________ All Participants This dance, interpreting the bonds of eternal frie.ndship, marks the opening of all tribal gatherings when the entire tribe assembles for council. 2. "Pale Moon"----- -----------------------· _________________________________________________________________ Alma Perry 3. The Chieftain's Dance ______________________ ____ _____________________ ____ _________ _ Memphis Boy Scouts Visiting chiefs approach the villiage. They give the sign of friendship. The old chief doubts their sincerety; they offer a Peacq Pipe; it is not accepted. The dance starts with many advances and retreats, offers of peace and friendship; threats of injury and death. The Peace Pipe is finally accepted; they sit around and smoke. After the pipes have been passed, the host invites his guests to his wigwam, where food is offered. <==><><==><><==><><==><><==><><==><><==><><===><><==><><=><><=><><=><><=><><=><>~ _O 4. Youth's Dance ________________________ ______ ___ _______________________________________ _ Memphis Boy Scouts The dance shows methods of training the young Indian to play and to dance rhythmically. 5. Warrior's Dance ___ __ ___ ______________________ __________________ ______________ _______________ ______ __ Boy Scouts This dance tells the life story of the Indian warrior. The warrior's regalia denotes his social rating; his bonnet is his badge of accomplishments in battle. His dance tells of his deeds of bravery and success in killing game; it also confesses his weakness and failure. 6. "The Indian Love Call (from "Rose Marie") ___ Alma Perry and Walter Jenkins 7. Maiden's Dance ___ ___________ __ ____________________________________________________ Memphis Girl Scouts The Indian maid dances her way to the heart of the warrior. This dance of rhythmic beauty is also a test of strength and endurance in which no weakling may hope to succeed. 8. 0 jib way Pipe Dance _______________________ ___ ___________________________________________ _____ _Hotan-Tonka On the reservation and in old Indian days this dance is a contest following a challenge.. The challenge must be accepted or the challenged dancer forfeits his pipe with his title. They dance until one falls from exhaustion. 9. "From the Land of the Sky Blue Water" ____ __ ______ ______________ ___ __________ Walter Jenkins 10. Blanket Dance ___ _____ ____ ____________ _____ ______ ______ __ _____ Elizabeth Moore and Hotan-T onka The young warrior offers his future bride a wedding gown, approaching her wigwam singing, but fearful of his reception. She accepts the gown, adorns herself, and they move to the council circle to receive the approval of the chief. This is a dance of coquetry and pursuit, ending with victory for the young warrior, who carries her to their wigwam amid the good wishes of the council. Captive Maid ____ ______________ ___ ____ ________ _____________________ ____ ________ ___ Sarah Elizabeth Gemmill 11. Tea Dance (Duet) _______ _____________ _____ __ _______ ______ Bertha Kuhlman and Hotan-T onka The only dance in which men and women of the Ojibways dance as partners after the fashion of the white man. It is also known as the Go-ho-mi-ny or Good-Night Dance. Followed by all participants in pageant dancing back to the wigwams. <==:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()c::;;:;>()<::;;;;:::::><><==><><==>-<><==>-<><==>-<><==>-<><==>-<><::::::> Sponsored by MR. EDWARD M. SALOMON, PRESIDENT OF THE NEW BRY'S Music __ ---- --------- -- --------- --------.-- ------------ ----- ------------------__ ------- -- ---- -- -- -- ---- -Mrs. Mark Eldridge Publicity-------------- -- ---------- -- ---------------- ---- ---- --------- ____ __________ __________________ Leadqs Association Make UP --------------------------- -------- ----- -- -- ------ --------- -------- -- ------------- - --- ---- ~ ~~~·;{t: ~~~t~er Properties ______ __________ ____ _______________ ___ _____ __________ _____________ ________________ ____ ___ Mr. Gordon Morris Costumes and Make Up- ---------- --- ----------- -- -- ------------- ---- ---- --- -- - ~ MMissMMar_gllreSt Vhuille 1 r. erri c wartz Warriors ____________ _____ __________ ____ ____ __ ___ ___ ______ _____ ____ __ _____________________ __________ Memphis Boy Scouts Youths ___ ____ _________ ___ ______ -------------- ----------- ------- -- ----------- -_________ _____________ _ Memphis Boy Scouts Maidens ________ _____________________ _________________ _______________ __ ____ ______ _____ _____ ___ ______ Memphis Gir 1 Scouts Speci al Music__ ___ _ · -------- --------- ---- ---- ------ -- ------- --- ----------- -- ----- --------· _______ ____ Rotary Boys' Band Pianist for Special Numbers _______ ______ _____________ __ ______________________________ Mr. Herbert Rohloff c;::;::::>C><::::::>C><::::::>C><::::::>C><::::::>C><::::::>C><::::::><><==:::><><:=>C)<:=>C)<:=>C><==:><><:=><><:::::>o<><=> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 1928 'In the Land of Hiawatha' - Memphis Girl Scouts & Boy Scouts American Indian Educational Program Creator An entity primarily responsible for making the resource Chickasaw Council, BSA Source A related resource from which the described resource is derived Barbara Shands Publisher An entity responsible for making the resource available Andrew Schrack Date A point or period of time associated with an event in the lifecycle of the resource 1928 Contributor An entity responsible for making contributions to the resource Ken Allen American Indian Event Girl Scouts Program